I saw the Raveonettes for the third time on Saturday night, the day before their set at Lollapalooza. And for the third time, they put on a terrific show. It helps that their music translates very well to a live setting. Drenched in feedback and distortion, they don't rely on slick production. This works for two reasons: First, it's much easier to replicate stuff in person that already sounds fuzzy to begin with; Second, that sort of sound, when played very loud, really envelopes the audience, and it's just not a feeling you can get via conventional media players. You're just drowning in it.
The Raveonettes are getting set to release their fifth album (if you consider Whip It On a proper album), and while their sound hasn't changed all that much, they've really gotten good at focusing on their strengths. Their lyrics are a little darker, but their sound is still bright, poppy, and laden with hooks. When I wrote that initial post, I described them as a sort of Buddy Holly as played by the Jesus and Mary Chain. They still fit that description, and it still sounds great, although their obvious affection for other acts of the period, like the Ronettes, is pretty evident as well (they even recorded a track with Ronnie Spector on their third album).
As for Sunday night, they were test driving some of the new tracks, which you can track down if you're so inclined. 'Suicide' is the one they played that I knew. But they hit the old stuff as well, dusting off Attack of the Ghost Riders from Whip It On. The rest of the set included (but was not limited to):
- That Great Love Sound (encore)
- Let's Rave On
- Aly Walk With Me
- Hallucinations
- Dead Sound
- Love in a Trashcan
- Red Tan
- Here Comes Mary
- Twilight (encore)
Noisy Summer
Twilight
Dead Sound
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